Dave Ball, a key member of the innovative 1980s electronic music duo Soft Cell, has passed away at the age of 66.
Alongside singer Marc Almond, the team achieved a worldwide hit with their cover of Gloria Jones' Tainted Love in the mid-80s, and their debut album Non-Stop Erotic Cabaret is considered a classic of synth-pop.
He subsequently formed the innovative electronic act The Grid, who achieved chart success with 1994's the hit Swamp Thing.
Ball died calmly in his sleep at his home in London on Wednesday 22 October, only a short time after playing a featured performance with Soft Cell at the Rewind Festival in the Thames-side town.
During that show, Ball appeared in a mobility chair, as he had for the previous couple of years, after a spate of ill-health.
"I ended up injure myself quite a bit," he stated in a recent interview. "I fractured spinal bones in my back and fractured about multiple ribs and fractured my wrist."
After contracting a lung infection and developing sepsis, he was placed in an medically-induced sleep and remained in the hospital for seven months.
Nevertheless, he had been in "a great place mentally" during the warmer months, as he worked on a fresh record with Almond, called Danceteria, which is scheduled for release in the coming year.
"He was focused and very pleased with the latest project that we literally completed only a few days ago," said the vocalist in a heartfelt message.
"It's so sad as next year was all set to be such an positive year for him, and I take some solace from the fact that he listened to the finished record and felt that it was a masterpiece."
Almond described his bandmate as "an exceptionally talented creative mastermind", stating: "He was the heart and soul of Soft Cell and I'm very proud of our body of work.
"Many thanks Dave for being an significant part of my existence and for the songs you gave me. I wouldn't be where I am without your influence."
Richard Norris from The Grid, shared his condolences, remembering Ball's "constant humor" and "steadfast support".
"Being in a partnership with someone is distinct from joining a band, the connection is very tight," he continued.
"That was the case with us. We experienced so many extraordinary, extraordinary, life-affirming experiences as a team. Thank you, Dave."
Born into a one-parent family in the city of Chester in the late 50s, Ball was given up for adoption when he was a year and a half of age.
He was raised in Blackpool with adoptive parents Donald and Brenda Ball, who altered his given name from Paul to David, alongside his younger sister his sister, who was similarly welcomed.
He met Almond at an art college in 1977, where they were both learning art. Fuelled by a mutual passion of a music genre, they established Soft Cell the same year, and quickly recorded an extended play.
The pair were an unusual pairing: Ball was the reserved technician, bent over his keyboard, while Almond was a flamboyant performer, all glitter and makeup; but they attained a rare creative synergy.
Ball had cultivated a interest with synthesizers after viewing Kraftwerk appear on BBC program a popular series, and began to combine dark electronica to the catchy tunes Almond was composing.
Their signature song became the UK's second biggest-selling single of 1981, selling millions of copies globally. Alongside hits by Gary Numan, contemporary bands and Ultravox, it contributed to cleared the path for the electronic music style of the 1980s.
The track was also included on their full-length debut, Non-Stop Erotic Cabaret, which produced two further high-charting singles: Bedsitter and Say Hello, Wave Goodbye.
They continued the record up with the separate release, Torch, which reached at the second position in the following year.
Fame had its benefits. "I loved being able to purchase my initial property, having financial security and exploring, which might seem like a Miss World," Ball recently shared with a publication.
But it also presented problems. "Sudden riches meant we could afford newfound drugs to alleviate the monotony" of press appearances and TV performances, Ball explained.
"I know that's a cliché, but it's a cliché for a valid cause, because it works for so many musicians."
Amidst the party-filled existence, the duo were also drifting apart, but they managed to create a second memorable record - the wayward, tense and aptly-titled The Art Of Falling Apart.
They released another album, their 1984 release This Last Night In Sodom, before ending the band to focus on other projects.
Almond went on to have a successful individual path, including the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who combined dance music with melodic sounds over a enduring collaboration.
Soft Cell reunited in 2001, releasing the Top 40 album Cruelty Without Beauty.
After a further hiatus, they returned in recent years, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a farewell show at the O2 Arena on September 30, that year.
Yet, they stayed active, creating their latest project, Happiness Not Included, during the pandemic Covid lockdown.
Ball lately characterized the band's new album as a homage to the NYC nightlife they frequented while making their initial records.
He noted that his period in hospital had shaped the group's music.
"I had strange recollections when I was coming and going of the hospital because I was on pain medication," he told a publication.
"Our latest tracks are a electronic representation of the sounds in my mind from that time.
"Simultaneously, it's about the experiences we had in the 80s."
The final mixes were finished only days before Ball died. It is due for release in Spring 2026.
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